The MicroVerb4 is designed to provide a wide variety of great-sounding, easy-to-use effects for small studios, engineers and performing musicians. The key to MicroVerb 4's power is in its simplicity. It offers 200 programs that include everything from high-quality reverb, delay, chorus and flange to exciting multieffects and more. To customize your programs, two front panel knobs allow for quick, easy, user-storable edits, or use its MIDI inputs for control over program changes and modulation. You can then save your edited programs in the 100-space user program bank. Even though it's affordable and easy to use, the MicroVerb 4 offers the superb audio quality that you should expect from every Alesis processor.
Tube microphone preamplifier; 12AX7 low-noise vacuum tube adds warmth and musicality to digital recordings; 20 dB Pads, phase reverses, and 80Hz HPFs; Minimized signal path for clarity; 48V Phantom Power for condenser mics; Gain and Drive controls; LED tree for metering; Quarter-inch, high-impedance DI inputs for instruments
Tube microphone preamplifier; 12AX7 low-noise vacuum tube adds warmth and musicality to digital recordings; 20 dB Pad, phase reverse, and 80Hz HPF; Minimized signal path for clarity; 48V Phantom Power for condenser mic; Gain and Drive controls; Vintage-style VU meter; Quarter-inch, high-impedance DI input for instruments
The MidiVerb 4 is the perfect effects processor for professional project studios and musicians who require an affordable solution for fully-programmable, high-fidelity effects. Its excellent effects algorithms produce dense, natural reverb, rich chorus, flange, delay, pitch effects and up to three simultaneous multieffects. The MidiVerb 4 offers 18 bit A/D and D/A converters and 24 bit internal processing for a 20Hz-20kHz bandwidth and 90dB dynamic range, making it ideal for digital recording. Plus, its valuable Auto Level Sensing feature can instantly set the optimum input levels...a great time-saver. MidiVerb 4's thirty-two effects algorithms give you a complete arsenal of fully programmable effects, many using true stereo parallel processing. You can take advantage of the 256 powerful programs with 128 spaces for user-created effects. With its easy-to-use graphic interface, programming your own effects is a snap. And by using MidiVerb 4's MIDI controller routing and assignable footswitch input, you'll have complete creative control over every aspect of your sound.
16 programs, with 16 variations each, for a total of 256 presets; Analog
wet/dry mix control; Adjustable input and output gains; Stereo inputs
automatically switch to dual mono when signal is only present on the
left jack; Minimized signal patch for optimal sound quality; Signal/clip
LED control for easy visual monitoring; Rugged, compact design for
years of reliable performance; Bypass control with footswitch, sold
separately
The dBDI-2 dual active direct inject box combines proven Apex audio performance and reliability with the versatility of two channels and a host of connectivity. Offering the best price/performance in its range, the rugged Apex dBDI-2 is just as at home in a studio or multi-media facility as it is in clubs and on-the-road.
The dBZ-48 allows installers to mix two stereo sources (for example, a multi-disc CD player and a hard disk based playout device) to four separate zone outputs. The four stereo outputs can then be wired to active speakers, amplifiers or speaker management systems in each zone.
The dBZ-48 can quickly be configured to provide mono outputs if required without the need to alter any internal parameters.
Stereo Distribution Amplifier
It is now a common requirement to distribute a single stereo source to multiple destinations, whether they be to rooms in an installation or theatre, to FOH and Monitor consoles or for dedicated broadcast or recording feeds. The dBZ-48 comfortably provides this functionality in a way that is simple, effective and quick to configure.
Professional quality and reliability
Mute control for each input and output section
Mono sum for each input and output section
Comprehensive LED metering, with Clip indication
Electronically balanced inputs and outputs (Neutrikฎ XLR connectors throughout)
RF filtering on audio I/O and mains supply
Universal switch-mode power supply Optional front panel guard for security
In addition to the features found on the dBZ-48, the dB-48d offers the following for each output section: Delay up to 1 sec with temperature compensation (available delay units: milliseconds, meters, feet, frames) Frequency selectable 24 dB/octave high-pass filter Frequency selectable 24 dB/octave low-pass filter Polarity control
Avid Profile Madi
ring your VENUE live sound workflow to any MADI (Multichannel Audio Digital Interface) environment. With each VENUE MADI Option Card, you can send up to 64 channels of audio from your VENUE system to other MADI devicesincluding routers, digital mixing consoles, and mobile recording setupsand vice-versa. Simply install the card into your systems FOH Rack or Mix Rack to bring industry-standard MADI connectivity to VENUE.
The 482i is perfect for semi-pro applications not requiring balanced jacks. With true dual-mono operation, the 482 is two independent BBE SONIC MAXIMIZER signal processors in one chassis.
The 882i features dual-mono operation with balanced XLR inputs and outputs. It is designed for applications requiring low noise, high headroom and +4dBu input levels.
A full-function Sonic Maximizer, +23dB of output headroom, balanced or unbalanced I/O, 115dB signal to noise ratio and Hard-wire bypass.
+4dBu balanced line (1/4" tip-ring-sleeve and XLR inputs and outputs)
+23dBu headroom
Active balanced outputs
Hardwire bypass
Bypass switch for comparison of processed to unprocessed signal
The BMAX is a high quality bass preamp/processor with applications both in the recording studio and on the road in demanding live applications. Features a solid state class A/B front-end, the input of which emulates the loading effect that the input of classic-design tube preamp, with a pure and clean electronically-balanced DI output.
The BMAX-T is a high quality tube bass preamp/processor with applications both in the recording studio and on the road in demanding live applications. Features a class A, DC regulated tube preamp section with hand-picked Groove Tubes 12AX7 tube, and Jensen transformer-balanced DI output.
High voltage (300V) tube front end with hand-picked Groove Tubes 12AX7 tube, providing pre-amp gain and passive interactive tone control
High-end DI section is transformer-balanced with a genuine Jensen transformer
A high quality 2-way stereo / 3-way mono crossover with built-in Sonic Maximizer
The Max-X2 is a 2-way stereo/3-way mono crossover and Sonic Maximizer, which offers a variety of options for any live sound application. The Max-X3 employs state-variable 4th-order Linkwitz-Riley filters to minimize phase inaccuracies in the crossover region, which is critical for the accurate summing of each driver in a speaker stack.
2-way stereo/3-way mono crossover
Full-function fourth-generation Sonic Maximizer
Linkwitz-Riley filters (24dB per octave)
Servo-balanced XLR inputs
ผ" inputs/outputs
Low-cut subsonic filters for low frequency driver protection
Phase inversion switching and over a 115 dB dynamic range
The BBEฎ MaxCom is a highly sophisticated Dual-Channel Compressor and Limiter with Gate, housed in a compact and easy-to-use package. It provides a live or recorded mix with all the clean, clear punch that only a truly professional dynamics controller can. However, the MaxCom is much more than a high-quality, superbly engineered compressor/limiter. The MaxCom is the first signal processor of its kind to feature an on-board BBE Sonic Maximizer. The BBE High Definition Sound process employed by the Sonic Maximizer is world renown among music and sound professionals for remarkable improvements in total sound quality, bringing crystalline clarity and air to the source material as well as revealing rich harmonic subtleties. The MaxCom employs BBE's latest High Definition Sound technology, in the very same 4th Generation BBE Professional chipset which powers the 482i and 882i Sonic Maximizers. The over-engineering in the MaxCom ensures that both its compression and gating provide versatility and excellent sonic performance in situations where other compressor/gates often produce undesirable processing artifacts. At the heart of the MaxCom is a THAT Corporation VCA known throughout the industry as the premier dynamics processing VCA. This single-rack-space dynamics processor includes two independent full-featured compressor/limiters, each channel having independent controls for Threshold, Compression Ratio, Attack Time and Release Time. Additionally, the MaxComs linking function allows for phase-coherent tracking of stereo signals and adjustment from the Channel One controls. Comprehensive metering is achieved via dual bar-graph meters on each channel that indicate Input Level and Gain Reduction.
BOSS VE-20 takes your voice to a whole new level! VE-20 is packed with essential, high quality effects for vocalists such as Reverb, Delay, Dynamics, Chorus, and more. These effects has been difficult for vocalists to have control of, but now the VE-20 offers incredible easy user interface to totally control your vocal sound. Simply dial up your favorite setting and sing no programming required. VE-20 is a practical vocal effects processor even for first timers. Of course, if you want to roll your sleeves up and create, the VE-20 has a variety of editing tools onboard.
Harmony Factory
Add lush harmonies to your lead vocals instantly as you sing. Select the harmony interval of your choice, or create multi-part stacks, such as upper third and lower fifth, and save them for instant recall. You can also thicken your vocals with Double Track. Best of all, the VE-20 is incredibly easy to use. Theres no need for programming, and you dont need to input notes from a keyboard as you do with a Vocoder simply sing and let the VE-20 do the rest!
Phrase Loop
Sing, record, loop, and overdub with the onboard Phrase Looper, inherited from BOSSs popular RE-20XL Loop Station. You get 38 seconds of mono record time to loop and layer phrases, and you can do it all in real time onstage. From doo-wop to human-beatbox, this tool will wow audiences!
Special FX
In addition to its harmony and pitch-correction tools, the VE-20 offers a colorful and expressive collection of special effects, including Electric, Robot, Strobe, Distortion, Chorus, and Reverb.
Road-Tough Design
With the same solid-metal construction as other BOSS stompboxes, the VE-20 is built to last. Its footprint is identical to BOSS Twin-Series pedals, ensuring that it will fit perfectly into existing multi-pedal BOSS pedalboards and travel cases.
Crest Audio CD1500
The CD Series Amplifier is the next generation family of elevated Efficiency amplification from Crest Audio. The CD Series combines a linear power supply and a Class D output to deliver Crest power in a compact and cost-effective package. This series is very versatile, whether powering nightclub systems or high school gymnasiums. CD Series brings a new generation of amplification to Crest Audio.
HK Audio DSM2060
With the DSM 2060 Software "PodWare," HK Audio introduces the suitable PC remote control for the DSM 2060 Controller.
The DSM 2060 Controller is a digital controller with excellent Audio quality for touring and fixed installation applications. With the HFT Hardman Filter Technology, it meets high-end-Audio requirements and features high-quality 24 bit/ 96kHz transformers as well as two inputs and six outputs which can be used individually for FOH and monitor applications in the touring segment as well as in fixed installations.
Hughes & Kettner Red box
Red Box Classic is the latest version of our industry-standard DI box with speaker simulation. Particularly for live applications, this amazing tool warrants consistent sound quality at every gig and puts an end to crosstalk. Thanks to its clear, direct sound, the Red Box will endear you to every seasoned PA tech total tonal satisfaction guaranteed. And in the studio, it saves precious time by sparing you the hassles of experimenting with microphone placement. The secret behind many of todays bestsounding guitar tracks is that they are double-tracked with a microphone and a Red Box Classic. This enables a perfect mix of room ambience and ultra-direct attack. Red Box Classic the toneful way to get the full tone
Ultra-compact pocket-size multi-effect designed for both guitar and bass; Powered by "REMS" modeling technology; 200 preset programs (including song presets); 200 user programs locations for storing your own sounds; 158 types of amazing amps and effects; Use up to seven effects at once; 100 different rhythm patterns plus a built-in metronome; ideal for composing and practice; AUX input for jamming along to your
favorite songs on CD, MP3, etc.; Ability to change the pitch of the Aux
input by ฑ one octave; TAP button makes it easy to set the delay time or the tempo of the Rhythm; Four program memory buttons allow one-touch recall of your favorite programs; Auto-tuner with muting; Backlit LCD screen ensures good visibility, even in dim locations; Stylish body, available in either black or white; Sound editing software; edit sounds and manage programs from your computer (available for download from the Korg website); Two-way power: batteries or USB bus power
Line 6 POD HD Pro. 22 HD amp models.
Line 6 has more experience with modeling technology than any other guitar company in the business. Our collection which includes some of the finest vintage, modern and boutique tone machines ever created has never sounded so good. Play with tones inspired by heritage amps from Fender, Vox, Marshall and Hiwatt, refined boutique creations by Dr Z, Bogner and Divided By 13, and many more. POD HD Pro delivers 22 HD amp models in stunning HD quality.
Alternatively, you can disable power amp models by selecting the preamp only from any of the 22 amp models to drive your tube amps power section. POD HD Pro has flexibility fit for any scenario, and can be optimized to run through a DT-series amplifier, a PA and anything else.
The Martin Audio Engineer is an advanced, powerful digital signal processor designed to provide comprehensive control and management of installed loudspeaker systems.
Incorporating a broad range of standard facilities; gain, EQ, limiting, time delay and an 8 x 8 routing matrix, the Engineer features the BassCreator and Engineer algorithms. These unique, innovative functions offer solutions to some of the most common operational and environmental problems encountered in Audio system design.
What if you could fully control musical and video content while singing at home or at an entertainment resort? What if you could sing accompanied by the best sound generation technology?What if you could have a mixer, external effect processors and video controls in one complete unit?With the Roland VIMA JM-8 youll get great flexibility to satisfy all your needs. With two microphones inputs, vocal effects and a video output for displaying song lyrics, chords or scores via an external screen, its perfect for Karaoke in shops, bars, schools, private homes and concert venues. A New Era of Entertainment has started.
A single unit exclusively dedicated to live performances
Play back of audio (mp3, wav) and standard Midi files for the best Karaoke experience!
Provides a control room matrix previously available only on consoles costing thousands.
A unique solution for studios with multiple monitors, headphone mixes and tape or digital sources. Provides easy, heretofore impossible to achieve, instant monitor mixes or dubs. Select from three pairs of speakers with dim and mute. Use the talkback mic to give instructions to the musicians in the headphone mix. Push-to-talk also records slates. Includes a headphone amp with level control. Three sets of stereo ins and outs are included, with dubbing capability to three outputs.
Take the headache out of headphone monitoring with the perfect compact headphone amp. With the ability to personalize mixes, control individual volume and tone, and plug in eight sets of phones at once, the C-que8 is the single solution to multiple monitoring issues. The C-que8 is a four-channel headphone amplifier that gives you fine-tuned control over individual levels and mixes. In addition to eight outputs, weve included independent volume control on each channel and a 6-segment LED indicator that shows the output for each channel, bringing the visual element to your Audio. The channels also have a shape EQ switch to reduce the mid range and offer tone control for each channel, so listeners can manage their own personalized mixes. There is a main volume control as well to give you the option for overall level adjustment. Link outputs also allow the use of more than one C-que8 in the instance of large-group monitoring.
The Samson PS10 19 inch Rackmount Power Conditioner. Protect your equipment and organise your power distribution.
The Samson PS10 Power Conditioner for PRO Audio. The Samson PowerStrip PS10 Power Conditioner provides clean, reliable power and is an essential item in any rack system. A front-panel resettable 10-amp circuit breaker protects all connected gear.
Samson S Curve 215. The S Curve 215 is a professional quality signal processor that gives you precise tonal control over two channels of audio. Center detented sliders with LED illumination allow you to selectively cut or boost selected frequency areas by as much as 12 dB. Front panel controls include output level sliders, lowcut and bypass switches, while the rear panel provides electronically balanced inputs and outputs. Thanks to low noise circuitry, the S Curve 215 can be used in a wide variety of applications, including live performance (in conjunction with either Front Of House or monitor mixers), in broadcast environments, or for recording.
A 4-channel headphone amplifier ideal for home recording. 4-channel headphone amplifier Four 1/4" stereo headphone outputs Individual volume control for each headphone output Stereo 1/4" input 18 Volt AC adapter included
The S com is a dual-channel, single rack space stereo compressor designed to control signal levels in a variety of applications. S com's logical design and layout make it simple to understand and easy to use. Its sonic integrity offers clean, distortion free audio, and a predictable, usable range of control from undetectable to clearly identifiable.
Each channel combines an Expander/Gate, a Compressor/Limiter and a fully adjustable Enhancer. This unique circuit reduces noise, increases loudness and recovers high frequencies that might otherwise be compromised when audio is heavily compressed. The Spectra switch adds a mid-band boost to the detector circuit to help smooth out harsh vocals.
The Expander/Gate features a variable Threshold control and switchable (fast/slow) Release time. The Gate's operation is easily visible with twin (open and closed) LEDs. The S com's Compressor/Limiter controls include Threshold, Ratio, Attack, Release, and Output. The Auto function continuously analyzes the audio input, and automatically adjusts the attack and release parameters based on the changing level. A Key input and Key Listen feature provides for external triggering, or EQ, of dynamically processed signals.
Compressor/Limiter, Expander/Gate with Enhancer Advanced Circuit Design Utilizing Low Noise Operational Amplifiers and High Quality VCA's Enhancer Circuit with Independent Control 12 Segment LED Meters for Input/Output and Gain Reduction Expander/Gate with Variable Trigger Control and Switchable Fast/Slow Release Servo Balanced Inputs and Outputs on XLR and 1/4" Connectors SKD (Smart Knee Detector) Circuit Switches from Soft to Hard Knee Based on the Level of Input Signal Applied AEG (Auto Envelope Generator) Mode Constantly Adjusts the Compressors Attack and Release Times Three-year Extended Warranty
The S com plus is a highly adaptable stereo compressor/limiter in an efficient single rackspace design. It is intended for situations where extra flexibility is required to optimize signal levels. It delivers essential control along with simplicity of operation. S com plus's comprehensive and wide-ranging controls provide extensive manipulation of Audio dynamics, even in the most complex situations.
Each channel features a wide range of variable control. A feature-rich Compressor section includes variable Threshold, Ratio, Attack and Release controls. Samson's SKD (Smart Knee Detector) circuit dynamically adjusts the compression curve to ensure a musical result. Our exclusive AEG (Auto Envelope Generator) function simplifies optimum settings by constantly analyzing the Audio input and automatically adjusting the attack and release parameters based on the changing level. Key Inputs and Outputs are included for externally processing the control voltage.
The Expander/Gate features a variable threshold level and switchable release time (fast or slow). The Gate switch changes the downward expander ratio from "light" to "hard" gating for control ranging from subtle to an obvious effect. A dedicated Peak/Limiter with variable control provides protection against peak and overload independently of the compressor. When used in combination with the Compressor the Peak/Limiter offers even more precise control over dynamic levels.
A functional De-esser improves Audio quality by removing "S" from vocals and sibilance from overly bright signal sources such as cymbals. The Enhancer switch engages the EFR (Enhanced Frequency Recovery) circuit, which restores high frequencies that are sometimes diminished by heavy compression. Extensive metering includes Input/Output, Gain Reduction, De-esser Level, Gate Open/Close and Limit. Other S com plus features
The S com 4 is a compact and versatile single-rack space device that provides four channels of high quality dynamics processing with an Expander/Gate and Compressor/Limiter on each channel.
The four channels operate independently or in stereo pairs. Its multi-segment LED metering displays input/output level as well as gain reduction. The Expander/Gate section features a continuously variable Threshold control as well as a switch for fast or slow release times.
The Compressor/Limiter section includes variable Threshold, Ratio and Output levels. S com 4's Enhancer switch restores high frequencies that are sometimes diminished by heavy compression. This wide-ranging combination of features makes the S com 4 an efficient and versatile Audio tool for a wide variety of applications. Its clean and quiet Audio characteristics make it ideal where high sonic integrity is imperative.
4 Channel Compressor/Limiter, Expander/Gate with Enhancer Linkable in two Stereo pairs Expander/Gate with variable Trigger control and switchable Fast/Slow Release 5 Segment LED meters for Input/Output levels and Gain Reduction on each channel Advanced circuit design utilizing Low Noise Operational Amplifiers and High Quality VCA's Servo Balanced Inputs and Outputs on XLR and 1/4" connectors SKD (Smart Knee Detector) circuit automatically switches from soft to hard knee based on the level of Input signal applied Individual Threshold and Ratio controls on each channel Three-year extended warranty
Mini convertor
A "bump-box", S-Convert is a problem solver for interfacing and level matching consumer and professional Audio equipment.
+4 to -10 Audio level converters
RCA -10 inputs with level control, RCA -10 outputs
XLR +4 outputs
XLR +4 inputs with level control
18 Volt AC adapter included
The ultimate patch bay. Fully balanced and extremely durable, our 48-point patch bay makes all your connections easy. Fully balanced, extremely durable 48-Point Patchbay Normal, Half-normal and Through Mode operation 3-way Front Panel Mode Switches 1/4" TRS Connectors 19" Rack Mount Chassis
The S phone is a versatile single rack space four channel headphone amplifier, loaded with advanced features that provide tremendous flexibility for monitor and cue mixing. The Master Input features an input level and LED meter to control and display the overall stereo input.
Each of S phone's four channels includes three Headphone Outputs with an overall Volume control and individual Level meters. A convenient Stereo Auxiliary input is available on each channel so that individual line signals from direct or buss outputs can be mixed with the main stereo input. The Balance control adjusts the ratio of the Main and Auxiliary signal or the left to right balance (based on the setting of the ST/2CH switch) so that each headphone mix can be further tailored for a particular listener's individual needs ("More Me").
For greater sonic control, S phone also features a 2-band equalizer on each of the four channels. A master Stereo Aux input on the front panel is also supplied for inserting a second signal to all headphones.
Four Channel Headphone Mixer/Amplifier Two Master Stereo Inputs plus Stereo Link Output 8 Segment LED Metering on Each Channel and Master Two Band Equalizer on Each Channel Three Headphone Outputs per Channel (One Front Panel and Two Rear Panel Outputs) Auxiliary Input with Balance Control provides four Channels of "More Me" Mixing Mute and Stereo/2 Channel Mode Switches on Each Channel Maximum Output Power on Each Channel (Regardless of Headphone Impedance) Three-year Extended Warranty
