The Baby Bottle’s unique sonic signature has a rich and present midrange response, a smooth top-end and neutral bottom-end creating an extremely present classic and contemporary sound. It is an ideal choice for recording vocals, room mixing for drums, electric guitar amps, and difficult brass instrument sources like saxophones and horns. With a unique proprietary circuit polarizing the capsule film at 100 volts, the Baby Bottle yields large output, creating the quietest microphone in its class
In a departure from its normally application-specific designs, Blue engineered the Bluebird to be as versatile as possible. Designed for applications ranging from vocals and electric and acoustic guitars, to close-miking of drums, drum overheads, percussion, piano, horns, and strings, virtually any application is enhanced by the Bluebird's crystal-clear sound. In addition to the microphone itself, the Bluebird includes a specially designed shockmount and metal mesh pop filter. No matter your sound, the complete Bluebird package offers today's musician an astounding recording experience— all in one nest!
The Cactus delivers a commanding, intimate presence with larger-than-life detail that is reminiscent of the world’s finest and most well respected vintage designs. At a distance, the Cactus’ B7 capsule delivers every nuance in the room, with finely focused resolution and clear, musical frequency response to the extremes of the audible spectrum. Up close, with its detailed highs and smooth midrange, the nine-pattern Cactus excels at delivering a vocal or solo track right to the front of the mix. The amplifier is a transformer-balanced single vacuum tube sub-miniature pentode in a triode mode, along with the highest quality hand-selected electronic components to insure absolute minimum noise and distortion.
The enCORE 300 is the flagship condenser performance microphone in the enCORE series with its roots in Blue's legendary tuned condenser studio microphones. The enCORE 300's Condenser Capsule is hand-selected and tuned for an open, detailed and present sound that is as well-suited to the stage as it is the studio. Blue's engineers matched the capsule to a custom-designed phantom power circuit, which together provide a rapid and powerful sound that is an ideal match for powerful vocals. The enCORE 300's unique reinforced chassis design mounts the capsule for optimal performance and isolation from handling noise, while providing vault-like protection for the capsule to ensure years of breathtaking performances.
Featuring Blue’s world renowned B6 capsule, the Kiwi delivers the detail of its sonic signature all at once with lots of top end (without being too in your face!), along with lots of mids and bottom end, without being too forward. Designed to set the standard for solid state microphones, the Kiwi yields lush vocals, stunning acoustic guitar and gorgeous piano sounds from nine different polar patterns (Omni, Cardioid, Figure of eight and everything in between). This is the Blue microphone.
The all-new Mikey is the perfect tool for mobile recording. Featuring two custom-tuned Blue capsules for stereo recording, a line-input, USB pass through and a stylish updated 230-degree rotating design. Mikey's three gain settings allow for a versatile recording experience for everything from a loud concert to a whisper. Record lectures, voice notes, live music, interviews, and more. Mikey also comes with its own soft carrying pouch for convenient storage and protection while on the go. Mikey turns your iPod into the coolest mobile recording device around!
- CD-quality audio recording direct to iPod
- Perfect for lecture recording, concerts, voice memos, dictation, field recording, interviews, and travel journals
- Innovative design allows for superior audio recording
- Three gain settings to capture the clearest stereo sound
- Seven angle adjustments for any environment
- FREE download of Blue FiRe recording app
- Certified for iPod touch 1G, 2G, 3G; iPod nano 2G, 3G, 4G, 5G; iPod classic; iPod 5G
- Works with iPhone versions 3GS and earlier
- Compatible with most protective cases
The Mouse's hand-tuned capsule is specifically designed to capture the thundering lows of bass and baritone vocals and low-end instrument sources. Enclosed within a rotating spherical grille, the capsule can also be positioned and adjusted into the smallest of spaces for applications where versatility is paramount. The Mouse is perfectly suited for kick drums, acoustic bass, electric bass amplifiers, snare drums, broadcast and voiceover work, and any other sources where accurate reproduction of low frequency transients is paramount.
The new multi-pattern Reactor pushes the envelope of modern microphone design and performance while making multiple mic setups more accessible. Reactor fuses an innovative pattern selection method with a swiveling capsule head for perfect positioning, and features Blue's premium condenser capsule, fully discreet Class A solid state components, and proprietary preamp for noiseless live switching between patterns (Cardioid, Omni or Figure-8). To facilitate use in multiple mic setups (like Mid/Side, X-Y), Reactor's capsule head rotates a range of 90 degrees for perfect positioning in tight spaces and easy pattern adjustability. Reactor's recording pattern selection is both intuitive and stylish, featuring LED backlighting on the pattern indicators and a magnifying element that compliments its forward-looking design.
Blue's newest professional mic, Spark, is a cardioid, solid-state condenser microphone designed to help you achieve professional quality recordings in any creative environment. Spark features a custom-designed condenser capsule with Class-A discrete electronics resulting in superbly detailed and uncolored output, making it the ideal microphone for recording vocals, drums, guitars, pianos, brass, woodwinds, and just about anything else you can light a fire under.
A new feature found only on the Spark microphone is the unique Focus Control, providing two different usage modes at the push of a button: the Normal mode (out position) providing increased low frequency sensitivity for recordings with great impact and definition, along with the Focus mode, (in position) for even greater clarity and detail.
The Spark microphone ships with a custom-designed pop-filter and shockmount as well as a convenient and stylish wood case for transport. With Spark, you've got everything you need to make professional recordings, all in one package.
Over five years in development, the Woodpecker is the only choice when searching for the smoky, warm, classic sound of a ribbon, but without sacrificing the bright presence of top-end. The Woodpecker is designed to deliver the wide frequency response needed in today’s modern recording environment. With its focused mid-range, ultra-smooth top end and outstanding bass response, the Woodpecker captures the essence of any recorded sound. It also excels at ambient recording, capturing room tone with the most intimate detail.
Like its name suggests, this RØDE microphone was specifically designed for 'ON-AIR' applications where wide frequency response and low distortion are demanded. Winner of the Radio World/US National Association of Broadcasters (NAB) 'What's Cool' award in 1998, the Broadcaster has become an industry standard when studio sound quality is required for on air applications. Utilising an Australian designed and manufactured RØDE 1" externally biased condenser transducers, the Broadcaster features a switch-ablehighpass filter to remove low frequency rumble. A unique 'ON-AIR' LED indicator can be switched on or off by shorting contacts on the 5 pin audio connector. This feature allows console operators to warn the 'Talent' that the mic is live.
The Classic II is RØDE's top-of-the-line studio condenser microphone. Classic by name and classic by nature.Featuring a custom spec 1" dual diaphragm capsule feeding a vintage twin triode (New old stock) GE JAN-6072 valve and custom Jensen output transformer.The result? Classic warmth and richness on both vocals and acoustic instruments.Nine polar patterns, variable PAD and filter. Machined from solid brass, the body is hand-polished, glass bead-blasted and coated in satin nickel. Also included is a double-shielded oxygen-free 30' copper cable with heavy-duty plugs and sockets, power supply, a suspension shock mount, stand mount, thread adaptor and sturdy aluminum flight case.
The RØDE K2 is the result of designing and building 1000's of valve microphones. The K2's HF-1 capsule is the pinnacle of transducer technology. The sound quality combines modern high-end specifications with the character and subtleties of the legendary 50's mics. Infinitely variable control of the K2's polar patterns provides the freedom and flexibility to excel in any recording situation. The K2 is another example of RØDE's commitment to building quality studio microphones to meet the exacting standards demanded by today's professionals.At the 2004 Frankfurt Music Messa, 56 of the most prestgious music industry magazines voted the K2 the "Best Studio Microphone of 2004"
De M2 profiteert van RØDE’s uitgebreide ervaring met het produceren van hoogwaardige condensatormicrofoons voor studio, live en locatiegebruik en is gefundeerd in de techniek van de prijswinnende S1. Met een klankkwaliteit, gelijk aan die van de beste studiomicrofoons, met geintegreerde shockmount om handgevoeligheid te minimaliseren en een speciale karakteristiek om feedback te reduceren is de M2 een robuuste en veelzijdige aanvulling op iedere live microfoon setup.
De M3 is een extreem veelzijdige microfoon die zich thuis voelt in de studio, op locatie, live, of op iedere andere plek waar een low-noise cardioide condensator nodig is. M3 werkt via 48v phantom of op 9V batterijvoeding. De M3 heeft een heavy duty metalen body, en is voorzien van een laag-af filter (80hZ) een PAD switch (0, -10dB -20dB), en een status LED. De M3 wordt geleverd met plopkap en stand mount.
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The RØDE NT1-A. Winner of the Electronic Musician 2004 Editor's Choice Award and the world's quietest studio condenser microphone. This redesigned version of RØDE's classic NT-1 has only 5 dBA of self-noise.The NT1-A has become an industry standard providing the warmth, extended dynamic range, clarity and high SPL capability usually only found with some of the most expensive microphones. Finished in durable satin nickel, the NT1-A is supplied with a shock mount and zip pouch.
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The RØDE NT1-A. Winner of the Electronic Musician 2004 Editor's Choice Award and the world's quietest studio condenser microphone. This redesigned version of RØDE's classic NT-1 has only 5 dBA of self-noise.The NT1-A has become an industry standard providing the warmth, extended dynamic range, clarity and high SPL capability usually only found with some of the most expensive microphones. Finished in durable satin nickel, the NT1-A is supplied with a shock mount, cable, popscreen, zip pouch and an instruction DVD to get the max out of the mic.
The RØDE NT1-A. Winner of the Electronic Musician 2004 Editor's Choice Award and the world's quietest studio condenser microphone. This redesigned version of RØDE's classic NT-1 has only 5 dBA of self-noise.The NT1-A has become an industry standard providing the warmth, extended dynamic range, clarity and high SPL capability usually only found with some of the most expensive microphones. Finished in durable satin nickel, the NT1-A is supplied with a shock mount and zip pouch.
With its ultra low 6 dBA self-noise and transformer less SMT circuitry, the RØDE NT1000 exhibits exceptional performance when recording both vocals and instruments in the studio.Voiced for 'application versatility', the NT1000 has been hailed by many as the ultimate drum over-head and grand piano mic selection. The NT1000 is also equally at home as a first call vocal mic. With its Australian made 1" HF-2 capsule incorporating internal shock mounting, the NT1000 boasts a 134 dB dynamic range, and 140 dBA SPL capabilities and a 20 Hz - 20 kHz frequency response.
The NT2-A carries on the tradition forged by the now legendary RØDE NT2. A professional large capsule (1") studio microphone incorporating three-position pick-up patterns, PAD and high pass filter switches conveniently located on the mic body.At the heart of the NT2-A is the Australian designed and manufactured HF1 dual diaphragm capsule. The frequency and transient response of this transducer has been voiced to complement today's modern recording techniques, and yet still evoke the silky smooth character of the legendary microphones of the 50's and 60's. These features provide the flexibility and superlative audio characteristics that make the NT2-A one of the most versatile condenser mics available.
The world's first large diaphragm condenser studio microphone with seamlessly variable Polar Patterns, Filter and Pad located conveniently on the microphone body.The NT2000's state of the art surface-mount electronics combined with the new Australian designed and manufactured HF1 Capsule, provide extremely low self-noise (7 dBA) and a maximum SPL of 147 dB (157 dB with pad fully engaged) ensuring exceptional results and the ultimate in recording creativity.
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Stylish and modern, the NT3 is a studio and location workhorse. With both 48V phantom and internal 9V battery operation, this RØDE is at home anywhere.Intended for studio, stage and location work, this versatile handheld or stand mounted microphone incorporates a true externally polarized condenser (hyper-cardioid polar response) transducer with an internal capsule shock mounting system, and an ultra-low noise electronic circuit that has a high immunity to R.F. interference.The NT3 incorporates a rugged welded and heat-treated mesh head and all metal body.
The Stereo wonder. The new NT4, a visually striking microphone that solves the age-old problem of stereo recording by eliminating the need to purchase matched pairs and the associated complex set-up bars and adaptors to get professional results. With a fixed 90 Degree X/Y configuration and perfectly matched stereo condenser capsules, the NT4 lets you record any source with immaculate stereo detail. The NT4 has a 128 dB dynamic range, 143 dBA SPL and low self-noise. Offering selectable battery or phantom power operation with power indicator light, the NT4 is ideally suited to both studio and location recording. The NT4 comes supplied in a custom carry case with a windshield, XLR to mini-jack and dual XLR cables for portable DAT or professional balanced input connection.
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The NT5 matched pairs are a masterpiece of small-diaphragm cardioid-condenser microphone design. Intended for recording acoustic instruments, drum overheads, cymbals and live performances, the compact externally polarized mic employs a 1/2" capsule, an active J-FET impedance converter with bipolar output buffer. Finished in durable satin nickel, the NT5 is intended for either single or stereo X/Y mic set-ups. The NT5 matched pairs comesupplied in a custom carry case with windshields and mounts.
The NT5 matched pairs are a masterpiece of small-diaphragm cardioid-condenser microphone design. Intended for recording acoustic instruments, drum overheads, cymbals and live performances, the compact externally polarized mic employs a 1/2" capsule, an active J-FET impedance converter with bipolar output buffer. Finished in durable satin nickel, the NT5 is intended for either single or stereo X/Y mic set-ups. The NT5 matched pairs comesupplied in a custom carry case with windshields and mounts.
The NT55 utilises the 1/2" gold sputtered true condenser transducer used in the internationally renowned RØDE NT5. The NT55 is a low-noise, balanced output microphone, exhibiting a wide dynamic range and full frequency response. The NT55 circuit incorporates a three position variable PAD with 0dB, -10dB or 20dB attenuation, and a thereposition variable high-pass filter that enables you to step from a flat response to 75 or 150 Hz high pass filter. The NT55 comes with two different condenser microphone heads to provide a wide variety of polar patterns. The NT55 is complemented with a diverse range of accessories to better facilitate positioning and attachment.
The NT55 utilises the 1/2" gold sputtered true condenser transducer used in the internationally renowned RØDE NT5. The NT55 is a low-noise, balanced output microphone, exhibiting a wide dynamic range and full frequency response. The NT55 circuit incorporates a three position variable PAD with 0dB, -10dB or 20dB attenuation, and a thereposition variable high-pass filter that enables you to step from a flat response to 75 or 150 Hz high pass filter. The NT55 comes with two different condenser microphone heads to provide a wide variety of polar patterns. The NT55 is complemented with a diverse range of accessories to better facilitate positioning and attachment.
The RØDE NT6 is specifically designed for difficult mounting applications. Although clearly relevant to instrument mic'ing, the new NT6 is extremely well suited to any situation where a small 'unobtrusive' but powerful microphone system is required. The 1/2" (externally biased) gold sputtered capsule is designed to attach to a custom made, multi-position swivel mount allowing it to be independently positioned with ease. The capsule is connected to the remote pre-amplifier (body) by a custom 3m Kevlar® fibre reinforced cable. The surface-mount pre-amplifier circuit also incorporates a two position variable pad: 0 dB an -10 dB attenuation, and a 2-position variable high-pass filter that enables you to step from a flat response to 80 Hz high pass filter both conveniently located away from the capsule, providing additional control without the need to move the capsule once in position.
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The RØDE NTG-1 is a lightweight condenser shotgun microphone, specifically designed for professional applications within the film, video, television, voice-over and ENG industries. The NTG-1 provides an electronically balanced output stage and operates on 48V to the P48 standard. The NTG-1 offers wide bandwidth and a controlled polar response coupled with low noise SMT electronics. The NTG-1 is extremely lightweight making it ideal for mounting directly to video cameras (with optional accessories) or a Boom pole. The NTG-1 comes complete with mount and windshield. The supplied windscreen effectively suppresses wind noise when recording outdoors in moderate conditions. Optional accessories are available for more demanding applications.
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The new RODE NTG-2 is a lightweight condenser shotgun microphone, designed for professional applications within the film, video, television and production industries. The NTG-2 provides a balanced low impedance output stage and operates either from an internal 1.5 V battery (AA) or 48 V to the P48 standard. A wide bandwidth and controlled polar response coupled with low noise SMT electronics, makes the NTG-2 the perfect choice for film, video engineering and voice-over work. The NTG-2 is extremely lightweight making it ideal for mounting directly to video cameras or on boom poles.
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The NTG-3 is the result of years of development by RØDE engineers, providing the professional broadcast and film industries with an affordable yet uncompromising microphone. Using a technology known as RF-bias the RØDE NTG-3 is almost completely resistant to moisture, making it the only option when recording in any demanding environments where condensation is an issue. In addition to its robust properties the NTG-3 combines very low weight (163g), a durable anti-glare finish and incredibly low handling and self-noise (13dBA) to become RØDE’s premier A/V microphone. When not in use the NTG-3 can be stored away in the included weather resistant aluminium storage cylinder, providing additional protection when travelling and storing the microphone.
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The RØDE NTK is the multi award-winning Class-A tube microphone that has found a home with tens of thousands of professionals around the world.The heart of the NTK is the Australian designed and manufactured HF-2 capsule. The electronic circuitry complementing this very sensitive transducer includes a hand-selected twin-triode 6922 valve and audiophile grade components and lay-out. The result is an ultra-wide dynamic range, very low noise, and stunning tube warmth. The NTK's rich valve sound is ideal for vocals, acoustic instruments, drum overheads, guitar amps and pianos.
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The RØDE S1 is designed specifically for 'no compromise' live vocal performance, but has also found a place in the studio where the performer wants to hold the recording mic. The S1 utilises a true condenser transducer for studio quality sound reproduction. Its sophisticated high pass filter dramatically reduces undesirable low-frequency background and handling noise. The super cardioid pick-up pattern further limits background noise and virtually eliminates feedback. The multi-stage mesh head filters breath, wind, and plosive noise without affecting sensitivity or frequency response. The hardened mesh head also protects the precision transducer from the rigors of live performance. The rugged ergonomic design of the S1 makes it extremely comfortable to hold and control during use. The high level output of the S1 is electronically balanced to reduce loss over long cable runs.
The RØDE S1 is designed specifically for 'no compromise' live vocal performance, but has also found a place in the studio where the performer wants to hold the recording mic. The S1 utilises a true condenser transducer for studio quality sound reproduction. Its sophisticated high pass filter dramatically reduces undesirable low-frequency background and handling noise. The super cardioid pick-up pattern further limits background noise and virtually eliminates feedback. The multi-stage mesh head filters breath, wind, and plosive noise without affecting sensitivity or frequency response. The hardened mesh head also protects the precision transducer from the rigors of live performance. The rugged ergonomic design of the S1 makes it extremely comfortable to hold and control during use. The high level output of the S1 is electronically balanced to reduce loss over long cable runs.
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Now videographers can use true 'studio' stereo recording techniques in the field with ease. The X/Y configuration enables the StereoVideoMic to capture the true ambience of the recording space, while still offering a high level of rear rejection and low noise. Fitted with a shoe mount, the StereoVideoMic has the same low noise circuit design as the best selling VideoMic. The StereoVideoMic offers 9V battery operation, an LED battery status indicator, high pass filter switch, and a -10dB pad switch which allows for the mic to be used on most cameras with perfect level control. You can also use the StereoVideoMic as a remote mic on a stand, or a RØDE boom pole (optional), which truly makes this versatile product well suited for all video applications including Electronic News Gathering (ENG), Weddings, Sports Events & Interviews.
The RØDE VideoMic is a professional grade shotgun microphone. Based on the latest 'Film industry' technology, the VideoMic is designed specifically for use with high quality Digital Video Cameras. The microphone exhibits low noise and an unusually wide bandwidth for its size. It is ultra lightweight, yet rugged due to it's ABS construction. The VideoMic is powered by a standard 9V battery and offers a Low Battery LED status indicator and a switchable high pass filter to reduce unwanted low frequency rumble. The VideoMic attaches to any Camcorder that has the standard camera-shoe fitting and utilizes a stereo mini jack for audio output.
Samson C15 Studio Condenser Mic An extremely affordable large format condenser microphone, the C15 features a shock-mounted element with an enhanced super-cardioid pickup pattern and super flat frequency response. Other features include standard 48-Volt phantom power operation, mic stand adapter and gold plated XLR connection. Features: Ideal for vocal or acoustic instrument micing Fixed charge condenser element Enhanced super-cardioid pickup pattern Flat frequency response 48-Volt
Switchable Supercardioid, Omni and Figure-8 pickup patterns Dual 19mm capsule design Switchable high-pass filter and 10dB pad Gold-plated XLR connectors Carry Case & swivel mount included Optional SP01 shockmount available
The Samson C-05 handheld condenser has been added to the ConcertLine Series. It’s great for obtaining studio quality vocals for live performance. The C-05 features a 19mm multi-axis shock mounted capsule, condenser optimized cardioid pickup pattern, gold plated XLR connection and 48-volt phantom power operation.
The G-Track is a total solution capable of taking you from your musical inspiration to your finished tracks. Samson's G-Track is the world's first USB condenser microphone with a built-in audio interface and mixer, allowing simultaneous input of vocals and guitar, bass, or keyboard while also providing monitoring through an on board headphone output.
The G-Track allows you to record vocals like a standard USB mic, or two mono instruments through the line/instrument input, or a mix of one mono instrument and vocal. Now singer/songwriters can directly record vocals and instruments quickly and easily with one device, making the G-Track a must have for any songwriter's home studio. And its ease of use and portability allows you to take it anywhere inspiration may strike you.
Ideal for the traveling musician or the project studio, the G-Track ships with a desktop mic stand, swivel stand mount, USB cable and all the cables needed to connect any musical instrument with a standard 1/4" or RCA output. The G-Track ships with Cakewalk's Sonar LE and works brilliantly with Apple's GarageBand.
Ultra-Compact Side-Address Condenser Instrument Microphone with Bidirectional Polar Pattern Capsule
The Shure Beta 181 is an ultra-compact, small-diaphragm side-address condenser microphone, designed for discrete placement and control in live and studio environments. Featuring interchangeable cardioid, supercardioid, omnidirectional and bidirectional capsule options for superior versatility, the small diaphragm design provides superior audio with consistent, textbook polar responses in a form factor small enough to get close to the source in the tightest conditions.
Shure Beta 27 The Beta 27 side-address condenser microphone is precision engineered for professional sound reinforcement and project studio recording applications. Its flat frequency response and low self-noise provide unerring performance in demanding environments. A tight supercardioid pattern ensures high gain-before-feedback and maximum isolation from other sound sources.
