The enCORE 300 is the flagship condenser performance microphone in the enCORE series with its roots in Blue's legendary tuned condenser studio microphones. The enCORE 300's Condenser Capsule is hand-selected and tuned for an open, detailed and present sound that is as well-suited to the stage as it is the studio. Blue's engineers matched the capsule to a custom-designed phantom power circuit, which together provide a rapid and powerful sound that is an ideal match for powerful vocals. The enCORE 300's unique reinforced chassis design mounts the capsule for optimal performance and isolation from handling noise, while providing vault-like protection for the capsule to ensure years of breathtaking performances.
The Line 6 LM44 lavalier microphone is the perfect replacement for your lost or broken lavalier that came with an XD-V30L system. It has a 1/4" TRS terminator
Professional Condenser Vocal Microphone. The Aries is a professional condenser microphone designed specifically to capture live vocals with the highest quality. While condenser microphones offer much better responsiveness than dynamic mics, they are usually confined to the studio because their sonic sensitivity is accompanied by handling sensitivity. Now M-Audio?s proprietary internal shock-mounting technology allows the Aries to deliver studio fidelity while minimizing handling noise and standing up to the rigors of the road. The cardioid capsule with 6-micron evaporated gold diaphragm and integral pop filter also rejects background sound for clarity and minimal feedback while handling the high SPLs of concert situations. Why settle for the average sonic quality of a dynamic on stage when you can have the superior quality of a condenser?
The M-Audio Luna II professional cardioid studio condenser microphone updates the award-winning Luna mic, acclaimed for superb sound and excellent performance. Designed in the USA and hand-assembled in limited quantities, Luna II delivers vintage look and sound combined with modern Class-A, solid-state electronics for the best of both worlds. The large, 1.1? ultra-thin, 3-micron, evaporated-gold diaphragm with brass capsule captures nuances with incredible detail. The addition of a -10dB pad extends the maximum SPL to 140dB to handle just about any sound source. The inclusion of a switchable low-frequency roll-off filter rounds out a professional microphone that?s great for recording vocals, guitar, piano and more.
Using manufacturing breakthroughs pioneered by M-Audio?s popular Luna and Solaris, the new Nova cardioid redefines the entry-level price point for quality studio condenser microphones. The 1.1? evaporated gold diaphragm mounted in a solid brass capsule ensures recordings that are faithful to the source, and the Class A solid state electronics are engineered for low noise, distortion and coloration. You?ll be amazed at how much microphone Nova gives you for the money.
The redesigned Pulsar II small-diaphragm cardioid condenser microphone takes M-Audio?s pencil condenser technology to an even higher level. Designed in the U.S.A. by veteran engineers and hand-assembled to exacting standards, this precision microphone exhibits quality comparable to that of vintage classics. New features like -10dB pad and 80Hz high-pass filter switches, higher SPL than the original and a redesigned solid-brass backplate deliver smooth, accurate sound in the studio and on stage. The Pulsar II has many applications, including drum overheads, acoustic guitar, piano, close-miking strings and woodwinds, room miking and more.
The Pulsar II Matched Pair delivers a boxed set of Pulsar II small-capsule condenser microphones that are within +/-1dB of each other?from 20Hz to 20kHz. Designed in the USA by the creators of the multi-award-winning Sputnik?, the distinctive-sounding Pulsar II is hand assembled in small quantities to insure peak performance. Featuring a solid-brass backplate and other top-quality components, these modern classics breathe new life into stereo miking applications including drum overheads, acoustic guitar, piano, and room recording.
The Solaris is a large-capsule condenser microphone that sounds as good as it looks. Beneath the stylish exterior lies the best-sounding solid-state electronics available at any price. Vintage design principles merge with incredibly tight manufacturing standards to yield no more than +/-1dB of deviation across the entire 20Hz-20kHz frequency range. The industry-thinnest evaporated gold diaphragm also delivers incredible sensitivity. Multi-pattern architecture provides flexibility that makes it ideal for just about any miking situation?included capturing vocals, guitar, piano, drums and live events. It?s like having three mics in one.
Like its name suggests, this RØDE microphone was specifically designed for 'ON-AIR' applications where wide frequency response and low distortion are demanded. Winner of the Radio World/US National Association of Broadcasters (NAB) 'What's Cool' award in 1998, the Broadcaster has become an industry standard when studio sound quality is required for on air applications. Utilising an Australian designed and manufactured RØDE 1" externally biased condenser transducers, the Broadcaster features a switch-ablehighpass filter to remove low frequency rumble. A unique 'ON-AIR' LED indicator can be switched on or off by shorting contacts on the 5 pin audio connector. This feature allows console operators to warn the 'Talent' that the mic is live.
The Classic II is RØDE's top-of-the-line studio condenser microphone. Classic by name and classic by nature.Featuring a custom spec 1" dual diaphragm capsule feeding a vintage twin triode (New old stock) GE JAN-6072 valve and custom Jensen output transformer.The result? Classic warmth and richness on both vocals and acoustic instruments.Nine polar patterns, variable PAD and filter. Machined from solid brass, the body is hand-polished, glass bead-blasted and coated in satin nickel. Also included is a double-shielded oxygen-free 30' copper cable with heavy-duty plugs and sockets, power supply, a suspension shock mount, stand mount, thread adaptor and sturdy aluminum flight case.
The RØDE K2 is the result of designing and building 1000's of valve microphones. The K2's HF-1 capsule is the pinnacle of transducer technology. The sound quality combines modern high-end specifications with the character and subtleties of the legendary 50's mics. Infinitely variable control of the K2's polar patterns provides the freedom and flexibility to excel in any recording situation. The K2 is another example of RØDE's commitment to building quality studio microphones to meet the exacting standards demanded by today's professionals.At the 2004 Frankfurt Music Messa, 56 of the most prestgious music industry magazines voted the K2 the "Best Studio Microphone of 2004"
Lavalier microphone Comes with water resistant pop filter and mini-furry for high wind protection, and anti-trauma water resistant case for rugged and secure high wind protection, and case for rugged and secure protection.
De M2 profiteert van RØDE’s uitgebreide ervaring met het produceren van hoogwaardige condensatormicrofoons voor studio, live en locatiegebruik en is gefundeerd in de techniek van de prijswinnende S1. Met een klankkwaliteit, gelijk aan die van de beste studiomicrofoons, met geintegreerde shockmount om handgevoeligheid te minimaliseren en een speciale karakteristiek om feedback te reduceren is de M2 een robuuste en veelzijdige aanvulling op iedere live microfoon setup.
De M3 is een extreem veelzijdige microfoon die zich thuis voelt in de studio, op locatie, live, of op iedere andere plek waar een low-noise cardioide condensator nodig is. M3 werkt via 48v phantom of op 9V batterijvoeding. De M3 heeft een heavy duty metalen body, en is voorzien van een laag-af filter (80hZ) een PAD switch (0, -10dB -20dB), en een status LED. De M3 wordt geleverd met plopkap en stand mount.
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The RØDE NT1-A. Winner of the Electronic Musician 2004 Editor's Choice Award and the world's quietest studio condenser microphone. This redesigned version of RØDE's classic NT-1 has only 5 dBA of self-noise.The NT1-A has become an industry standard providing the warmth, extended dynamic range, clarity and high SPL capability usually only found with some of the most expensive microphones. Finished in durable satin nickel, the NT1-A is supplied with a shock mount and zip pouch.
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The RØDE NT1-A. Winner of the Electronic Musician 2004 Editor's Choice Award and the world's quietest studio condenser microphone. This redesigned version of RØDE's classic NT-1 has only 5 dBA of self-noise.The NT1-A has become an industry standard providing the warmth, extended dynamic range, clarity and high SPL capability usually only found with some of the most expensive microphones. Finished in durable satin nickel, the NT1-A is supplied with a shock mount, cable, popscreen, zip pouch and an instruction DVD to get the max out of the mic.
The RØDE NT1-A. Winner of the Electronic Musician 2004 Editor's Choice Award and the world's quietest studio condenser microphone. This redesigned version of RØDE's classic NT-1 has only 5 dBA of self-noise.The NT1-A has become an industry standard providing the warmth, extended dynamic range, clarity and high SPL capability usually only found with some of the most expensive microphones. Finished in durable satin nickel, the NT1-A is supplied with a shock mount and zip pouch.
With its ultra low 6 dBA self-noise and transformer less SMT circuitry, the RØDE NT1000 exhibits exceptional performance when recording both vocals and instruments in the studio.Voiced for 'application versatility', the NT1000 has been hailed by many as the ultimate drum over-head and grand piano mic selection. The NT1000 is also equally at home as a first call vocal mic. With its Australian made 1" HF-2 capsule incorporating internal shock mounting, the NT1000 boasts a 134 dB dynamic range, and 140 dBA SPL capabilities and a 20 Hz - 20 kHz frequency response.
The NT2-A carries on the tradition forged by the now legendary RØDE NT2. A professional large capsule (1") studio microphone incorporating three-position pick-up patterns, PAD and high pass filter switches conveniently located on the mic body.At the heart of the NT2-A is the Australian designed and manufactured HF1 dual diaphragm capsule. The frequency and transient response of this transducer has been voiced to complement today's modern recording techniques, and yet still evoke the silky smooth character of the legendary microphones of the 50's and 60's. These features provide the flexibility and superlative audio characteristics that make the NT2-A one of the most versatile condenser mics available.
The world's first large diaphragm condenser studio microphone with seamlessly variable Polar Patterns, Filter and Pad located conveniently on the microphone body.The NT2000's state of the art surface-mount electronics combined with the new Australian designed and manufactured HF1 Capsule, provide extremely low self-noise (7 dBA) and a maximum SPL of 147 dB (157 dB with pad fully engaged) ensuring exceptional results and the ultimate in recording creativity.
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Stylish and modern, the NT3 is a studio and location workhorse. With both 48V phantom and internal 9V battery operation, this RØDE is at home anywhere.Intended for studio, stage and location work, this versatile handheld or stand mounted microphone incorporates a true externally polarized condenser (hyper-cardioid polar response) transducer with an internal capsule shock mounting system, and an ultra-low noise electronic circuit that has a high immunity to R.F. interference.The NT3 incorporates a rugged welded and heat-treated mesh head and all metal body.
The Stereo wonder. The new NT4, a visually striking microphone that solves the age-old problem of stereo recording by eliminating the need to purchase matched pairs and the associated complex set-up bars and adaptors to get professional results. With a fixed 90 Degree X/Y configuration and perfectly matched stereo condenser capsules, the NT4 lets you record any source with immaculate stereo detail. The NT4 has a 128 dB dynamic range, 143 dBA SPL and low self-noise. Offering selectable battery or phantom power operation with power indicator light, the NT4 is ideally suited to both studio and location recording. The NT4 comes supplied in a custom carry case with a windshield, XLR to mini-jack and dual XLR cables for portable DAT or professional balanced input connection.
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The NT5 matched pairs are a masterpiece of small-diaphragm cardioid-condenser microphone design. Intended for recording acoustic instruments, drum overheads, cymbals and live performances, the compact externally polarized mic employs a 1/2" capsule, an active J-FET impedance converter with bipolar output buffer. Finished in durable satin nickel, the NT5 is intended for either single or stereo X/Y mic set-ups. The NT5 matched pairs comesupplied in a custom carry case with windshields and mounts.
The NT5 matched pairs are a masterpiece of small-diaphragm cardioid-condenser microphone design. Intended for recording acoustic instruments, drum overheads, cymbals and live performances, the compact externally polarized mic employs a 1/2" capsule, an active J-FET impedance converter with bipolar output buffer. Finished in durable satin nickel, the NT5 is intended for either single or stereo X/Y mic set-ups. The NT5 matched pairs comesupplied in a custom carry case with windshields and mounts.
The NT55 utilises the 1/2" gold sputtered true condenser transducer used in the internationally renowned RØDE NT5. The NT55 is a low-noise, balanced output microphone, exhibiting a wide dynamic range and full frequency response. The NT55 circuit incorporates a three position variable PAD with 0dB, -10dB or 20dB attenuation, and a thereposition variable high-pass filter that enables you to step from a flat response to 75 or 150 Hz high pass filter. The NT55 comes with two different condenser microphone heads to provide a wide variety of polar patterns. The NT55 is complemented with a diverse range of accessories to better facilitate positioning and attachment.
The NT55 utilises the 1/2" gold sputtered true condenser transducer used in the internationally renowned RØDE NT5. The NT55 is a low-noise, balanced output microphone, exhibiting a wide dynamic range and full frequency response. The NT55 circuit incorporates a three position variable PAD with 0dB, -10dB or 20dB attenuation, and a thereposition variable high-pass filter that enables you to step from a flat response to 75 or 150 Hz high pass filter. The NT55 comes with two different condenser microphone heads to provide a wide variety of polar patterns. The NT55 is complemented with a diverse range of accessories to better facilitate positioning and attachment.
The RØDE NT6 is specifically designed for difficult mounting applications. Although clearly relevant to instrument mic'ing, the new NT6 is extremely well suited to any situation where a small 'unobtrusive' but powerful microphone system is required. The 1/2" (externally biased) gold sputtered capsule is designed to attach to a custom made, multi-position swivel mount allowing it to be independently positioned with ease. The capsule is connected to the remote pre-amplifier (body) by a custom 3m Kevlar® fibre reinforced cable. The surface-mount pre-amplifier circuit also incorporates a two position variable pad: 0 dB an -10 dB attenuation, and a 2-position variable high-pass filter that enables you to step from a flat response to 80 Hz high pass filter both conveniently located away from the capsule, providing additional control without the need to move the capsule once in position.
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The RØDE NTG-1 is a lightweight condenser shotgun microphone, specifically designed for professional applications within the film, video, television, voice-over and ENG industries. The NTG-1 provides an electronically balanced output stage and operates on 48V to the P48 standard. The NTG-1 offers wide bandwidth and a controlled polar response coupled with low noise SMT electronics. The NTG-1 is extremely lightweight making it ideal for mounting directly to video cameras (with optional accessories) or a Boom pole. The NTG-1 comes complete with mount and windshield. The supplied windscreen effectively suppresses wind noise when recording outdoors in moderate conditions. Optional accessories are available for more demanding applications.
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The new RODE NTG-2 is a lightweight condenser shotgun microphone, designed for professional applications within the film, video, television and production industries. The NTG-2 provides a balanced low impedance output stage and operates either from an internal 1.5 V battery (AA) or 48 V to the P48 standard. A wide bandwidth and controlled polar response coupled with low noise SMT electronics, makes the NTG-2 the perfect choice for film, video engineering and voice-over work. The NTG-2 is extremely lightweight making it ideal for mounting directly to video cameras or on boom poles.
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The NTG-3 is the result of years of development by RØDE engineers, providing the professional broadcast and film industries with an affordable yet uncompromising microphone. Using a technology known as RF-bias the RØDE NTG-3 is almost completely resistant to moisture, making it the only option when recording in any demanding environments where condensation is an issue. In addition to its robust properties the NTG-3 combines very low weight (163g), a durable anti-glare finish and incredibly low handling and self-noise (13dBA) to become RØDE’s premier A/V microphone. When not in use the NTG-3 can be stored away in the included weather resistant aluminium storage cylinder, providing additional protection when travelling and storing the microphone.
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The RØDE NTK is the multi award-winning Class-A tube microphone that has found a home with tens of thousands of professionals around the world.The heart of the NTK is the Australian designed and manufactured HF-2 capsule. The electronic circuitry complementing this very sensitive transducer includes a hand-selected twin-triode 6922 valve and audiophile grade components and lay-out. The result is an ultra-wide dynamic range, very low noise, and stunning tube warmth. The NTK's rich valve sound is ideal for vocals, acoustic instruments, drum overheads, guitar amps and pianos.
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The RØDE S1 is designed specifically for 'no compromise' live vocal performance, but has also found a place in the studio where the performer wants to hold the recording mic. The S1 utilises a true condenser transducer for studio quality sound reproduction. Its sophisticated high pass filter dramatically reduces undesirable low-frequency background and handling noise. The super cardioid pick-up pattern further limits background noise and virtually eliminates feedback. The multi-stage mesh head filters breath, wind, and plosive noise without affecting sensitivity or frequency response. The hardened mesh head also protects the precision transducer from the rigors of live performance. The rugged ergonomic design of the S1 makes it extremely comfortable to hold and control during use. The high level output of the S1 is electronically balanced to reduce loss over long cable runs.
The RØDE S1 is designed specifically for 'no compromise' live vocal performance, but has also found a place in the studio where the performer wants to hold the recording mic. The S1 utilises a true condenser transducer for studio quality sound reproduction. Its sophisticated high pass filter dramatically reduces undesirable low-frequency background and handling noise. The super cardioid pick-up pattern further limits background noise and virtually eliminates feedback. The multi-stage mesh head filters breath, wind, and plosive noise without affecting sensitivity or frequency response. The hardened mesh head also protects the precision transducer from the rigors of live performance. The rugged ergonomic design of the S1 makes it extremely comfortable to hold and control during use. The high level output of the S1 is electronically balanced to reduce loss over long cable runs.
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Now videographers can use true 'studio' stereo recording techniques in the field with ease. The X/Y configuration enables the StereoVideoMic to capture the true ambience of the recording space, while still offering a high level of rear rejection and low noise. Fitted with a shoe mount, the StereoVideoMic has the same low noise circuit design as the best selling VideoMic. The StereoVideoMic offers 9V battery operation, an LED battery status indicator, high pass filter switch, and a -10dB pad switch which allows for the mic to be used on most cameras with perfect level control. You can also use the StereoVideoMic as a remote mic on a stand, or a RØDE boom pole (optional), which truly makes this versatile product well suited for all video applications including Electronic News Gathering (ENG), Weddings, Sports Events & Interviews.
The RØDE VideoMic is a professional grade shotgun microphone. Based on the latest 'Film industry' technology, the VideoMic is designed specifically for use with high quality Digital Video Cameras. The microphone exhibits low noise and an unusually wide bandwidth for its size. It is ultra lightweight, yet rugged due to it's ABS construction. The VideoMic is powered by a standard 9V battery and offers a Low Battery LED status indicator and a switchable high pass filter to reduce unwanted low frequency rumble. The VideoMic attaches to any Camcorder that has the standard camera-shoe fitting and utilizes a stereo mini jack for audio output.
Samson C15 Studio Condenser Mic An extremely affordable large format condenser microphone, the C15 features a shock-mounted element with an enhanced super-cardioid pickup pattern and super flat frequency response. Other features include standard 48-Volt phantom power operation, mic stand adapter and gold plated XLR connection. Features: Ideal for vocal or acoustic instrument micing Fixed charge condenser element Enhanced super-cardioid pickup pattern Flat frequency response 48-Volt
Switchable Supercardioid, Omni and Figure-8 pickup patterns Dual 19mm capsule design Switchable high-pass filter and 10dB pad Gold-plated XLR connectors Carry Case & swivel mount included Optional SP01 shockmount available
The Samson C-05 handheld condenser has been added to the ConcertLine Series. It’s great for obtaining studio quality vocals for live performance. The C-05 features a 19mm multi-axis shock mounted capsule, condenser optimized cardioid pickup pattern, gold plated XLR connection and 48-volt phantom power operation.
Shure Beta 27 The Beta 27 side-address condenser microphone is precision engineered for professional sound reinforcement and project studio recording applications. Its flat frequency response and low self-noise provide unerring performance in demanding environments. A tight supercardioid pattern ensures high gain-before-feedback and maximum isolation from other sound sources.
Ultra-Compact Side-Address Condenser Instrument Microphone with Cardioid Polar Pattern Capsule.
The Shure Beta 181 is an ultra-compact, small-diaphragm
side-address condenser microphone, designed for discrete placement and
control in live and studio environments. Featuring interchangeable
cardioid, supercardioid, omnidirectional and bidirectional capsule
options for superior versatility, the small diaphragm design provides
superior audio with consistent, textbook polar responses in a form
factor small enough to get close to the source in the tightest
conditions.
The Shure Beta 87A is a premium quality supercardioid hand-held electret condenser vocal microphone with exceptionally smooth frequency response and high sound pressure level capability. Used for professional sound reinforcement, broadcasting, and studio recording applications, the Beta 87A combines superb performance with the ruggedness needed for touring and field production. The Beta 87A features a controlled low-frequency roll-off that compensates for proximity effect and prevents the “boomy” sound often associated with close pick-up. The characteristic Shure presence rise brightens the upper midrange. The tight supercardioid pattern, with null points at approximately 125 degrees, provides maximum isolation from other vocalists or instruments while offering minimal off-axis coloration. The Beta 87A operates on phantom power.
The Beta 87C premium vocal microphone delivers studio-grade performance and a smooth, extended high-end frequency response in a cardioid condenser design. The microphone adds warmth to the frequency response and creates an ideal environment for in ear personal monitoring. And its highly consistent cardioid pattern offers excellent rear rejection.
The Shure Beta 98/S is a compact, high-output supercardioid condenser microphone for professional sound reinforcement and studio recording. Its extremely uniform supercardioid pickup pattern provides high gain-before-feedback and excellent rejection of unwanted noise. Its high maximum sound pressure level (SPL) makes it useful for a variety of instruments including drums, piano, reed, wind, and string. The Beta 98/S can also be used for amplified guitars. The optional A98D drum mount has a specially designed gooseneck that allows the microphone to be positioned freely, yet holds it securely in place once the ideal placement has been found.
For toms, snares and percussion instruments, no other microphone stands up to the performance and versatility of the Beta 98D/S. The Beta 98D/S is a high performance mini-condenser microphone designed to excel at professional sound reinforcement or recording. Its ultra-uniform pickup pattern provides high gain-before-feedback and excellent rejection of unwanted noise. The interchangeable cartridge (cardioid or supercardioid) allows you to adapt the microphone to specific applications. With the unique A98D microphone drum mount (supplied), no other rim-mounted microphone stays more securely in place. This hardware has been redesigned for quicker, more secure rim-mounting without the need for a drum key. Its flexible gooseneck lets you position the mic in practically any configuration, so you get a virtually unlimited choice of sound options. The microphone is also available without the drum mount: model Beta 98/S.
The Shure WB98H/C (the wireless version of the Beta 98H/C) is a premium cardioid condenser instrumental microphone that clamps onto the bell of wind instruments or onto the rim of percussion instruments. The integrated gooseneck and ratcheting swivel joint allows the microphone to be easily positioned and secured in place, and an isolation shock-mount reduces the transmission of instrument 'key noise' and other mechanical noise. A gooseneck angle brace is included to provide better retention of the microphone placement during more active performances.
The KSM137 is an end-address condenser microphone with a single cardioid polar pattern. Designed for studio use, yet rugged enough for live applications, the KSM137 can withstand extremely high sound pressure levels (SPL). Its low self-noise and extended frequency response make it ideal for recording musical instruments.
Versatile, durable, and precise, the KSM137 is an outstanding microphone for instruments ranging from percussion to wind, strings to brass, and piano to guitar.
KSM137/SL with foam windscreen and carrying case, champagne finish
KSM137/SL ST PAIR with two KSM137/SL Mics, two windscreens, one carrying case, champagne finish
